

Using time as a yo-yo that moves forward and back means that we’ll experience each experience of hope, heartbreak, and betrayal along with Heidi. What begins as a fairly typical protagonist-narrated story with flash-forwards and flash-backs, evolves into something that uses time not just as a means of narrative conveyance, but also as a method of conveying Heidi’s journey from contentedly unaware of the world outside Reno to discovering the sharp reality of the world. On this, the Gary Williams-adapted script is largely predictable, which requires the surprises to come from other avenues and they do in spades. It will hit a lot of the narrative plot points many Young Adult book-based stories formulate their stories around: happy child of a mysterious background will undergo a life-altering experience and come out the other side evolved in a life-affirming way. With new questions rattling in her mind, her usual joyful pursuits prove not to be aren’t enough anymore, setting Heidi on a journey of self-discovery.

Unable to discern a meaning, Heidi suddenly becomes aware of all the things she doesn’t know: things like where the rest of her family is, who pays her rent, or even when she was born. to add a new word to her limited vocabulary: soof.

Though Heidi’s life is filled with daily joys, an unexpected event inspires So B. In turn, Heidi helps take care of duties around the apartment that Bernie can’t take on due to her shock-induced agoraphobia. Bernie, as she’s called, serves as a kind of caregiver to both women, home-schooling Heidi and helping to care for So B. is full of love and delight, spending her time creating pieces of art. These three women take care of each other in surprising ways. (Jessica Collins of Zero Dark Thirty) and their neighbor Bernadette (Alfre Woodard of Netflix’s Luke Cage). In Reno, Nevada, a young girl named Heidi (Talitha Eliana Bateman of Annabelle: Creation) lives in an extended apartment with her autistic mother So B. It manages to illicit genuine emotion through its creative narrative structure and engaging performances.

Though the story is familiar and the plot points are fairly straight forward, So B. It if audiences buy-in to this lovely family drama. Though the rollout seems to be focused on a limited number of theaters (only two theaters in all of North Carolina will get it right now), more theaters are likely to show So B. It is finally coming to cinemas near you. It’.Īfter spending time on the festival circuit, Stephen Gyllenhaal’s ( Losing Isiah) adaptation of the 2004 Sarah Weeks novel So B. Home › Reviews › In Theaters › Love is where you find it in ‘So B.
